1995 – Tehran
– MA in Painting – College of Fine Arts – University of Tehran – 2018
Solo Exhibition
– Boundary / Pirsook Art Space / 2019 – Shiraz
– Mountains / Pirsook Art Space / 2018 – Shiraz
Group Exhibition
– Rereader – Group Show/ Sheydaei Art Gallery / 2021 – Tehran
– Together – Group Show/ Asr Art Gallery / 2021 – Tehran
– Production of Artificial Hamburger – Group Show / Sheydaei Art Gallery / 2020 – Tehran
– Light Treat – Group Show / Soo Contemporary / 2020 – Tehran
– Topos: Building – Group Show / Vista Gallery / 2019 – Tehran
– Sketch Book 2 / Hamras Art Space / 2019 – Tehran
– Group Show (Curator : Maryam Rasti)/ Shirazeh Art Gallery / 2018 – Shiraz
– On Paper, No Name – Group Show/ New Media Projects / 2017 – Tehran
– Self Portrait – Group Show/ Farda Art Gallery / 2017 – Tehran
Festivals
– 6th Toys and Games for Children Festival / 2020 – Tehran
– 11th Montakhab-e Nasl-e No / Shirin Art Gallery / 2019 – Tehran
– Teer Art Fair / Pirsook Art Gallery / 2019 – Tehran
– 5th Damounfar Painting Biennal / 2019 – Tehran
– Zhokal Art Students Festival / 2019 – Tehran
– Teer Art Fair Week (out of gallery projects) / 2018 – Tehran
– 22th Fajr international festival / 2017 – Tehran
Some of Artworks
Written by Hamidreza Karami about a collection of works by Hananeh Jaloo
(Adapted from Topus Group Exhibition Catalog / Vista Gallery)
What highlights Hannah Jaloo’s paintings in this collection is, above all, the influence of the architectural idea of replacing and placing human habitation in the context of nature. Her compositions often represent cubic geometric units, alone or in combination, as if scattered across the surface of the image in response to the need to position oneself in order to construct and be located in natural geography.
In translating such an idea into the language of painting, she avoids the realism – and, consequently, the refinement in terms of form and color – that is seen in Hananeh’s works, without completely distancing itself from the manifestation of distance, is approaching the limits of abstraction.
In her paintings, simple lines form surfaces that can be distinguished only by the use of often pure colors, yet they are well able to evoke the subject for the viewer; Structures/structures such as houses, bridges, roads, civilization,… which are defined in relation to their natural environment such as mountains, hills, plains, rivers, etc … .